Not My Normal Self Portrait - Part 3 "The Post"

Hey everyone, here is the third and final instalment of my "Post Apocalyptic Corporate Headshot" series of the "The Shot," "The Shoot & The Gear," and "The Post."

Here's the video that shows how I created this image in Photoshop.

Cheers!

DC

Not My Normal Self Portrait - Part 2 "The Shoot & The Gear"

Part 2, "The Shoot & The Gear." The original concept for this image came to me when my wife asked me to take her to Michael's, a local craft store. It was around Halloween and they had all of their Halloween themed things out on display. As soon as we walked into the store I saw the skulls, which got me thinking about how I could possibly use one. My first thought was some kind of self portrait with the skull overlay, or a bones behind the face kind of thing. So I had to grab one.

I decided to try some sort of overlay so I knew I needed a headshot of both me and the skull. 

I wanted a dark look so I chose only one light to camera left and positioned it so I would fully light my right side, and have enough drop off to darkness on my left.  I needed to have the lighting the same for both shots, so I had to have both my face and the skull in pretty much the same position. I also chose a black background to keep the dark theme. Here's the lighting set-up.

I took a lot of test shots, and was tethered into Lightroom to see them a bit larger so I could assess the overall exposure and focus. Once I had both nailed down I did two things:

1) I turned the AF switch on the lens to "off" so the camera wouldn't try to refocus everytime the shutter was fired, and;

2) I placed a mark on the ground as a reference for my distance from the lens.

Here's the self-shot I used - this is the RAW shot converted to jpg, no post done yet.

Once I was satisfied with my self-shot I grabbed the skull for the next shot - again, this is the RAW shot converted to jpg, no post done yet.

As you can see I was holding it up at head level to try and get the same perspective. This is where the mark I placed on the ground came in. For the self-shot I was sanding over the mark, but for the skull shot I was standing behind the mark placing the skull above it closest to where my head would have been. This was key to get light to fall in same way for both shots, and also to try and match the perspective when I took both into Photoshop to merge them.  

Gear used for the shoot:
- Nikon D810
- Nikkor 24-70mm f2.8
- Nikon SB900 Flash
- Nikon SU800 Commander Unit
- Lastolite 24" Ezybox
- Black backgound with Manfrotto background stand
- Vello wireless Shutter Boss - remote trigger
- Tethered into Lightroom

Stay tuned for part 3 "The Post," where I'll show you how I created the final image in Photoshop and Lightroom.

Cheers!

DC

Project Feline - Part 2 "The Shoot & The Gear"

Part 2 in this series is the behind the scenes look that shows how I got the shot, and the gear I used to make it happen.

First, here's the list of gear that was used:

• Nikon D810
• Nikon 24-70mm f2.8 Lens
• SB900 Speedlight
• SU800 Commander Unit
• 32" White Shoot Through Umbrella
• Lastolite 5 in 1 Reflector w/Reflector Arm Attachment
• Manfrotto Background Stand Kit
• White Seamless Background Roll (60")
• Folding Table
• Cat Toy
• Cat Wrangler (aka my wife, Lori)

Below is a shot of how everything was set up. Lighting set-up was pretty simple with one SB900 at camera left on about a 45 degree angle to the set, and on the right side was the white reflector. This was shot in my home office and you can see there's not a lot of space. The SB900 was obviously my main light and the reflector was close enough in on the right to get a good amount of fill light. I also shot this at night so the light spill from the window behind was not a factor.

Camera settings were full manual mode - 1/100 @ f8, ISO 640. SB900 was also on manual at 1/4 power. I've always tended to lean toward manual flash as opposed to using full TTL. I also wanted to have a lower power setting so the flash would recycle faster.

Now the fun part...getting them up on the table, and trying to get them to cooperate! This is where my wife, Lori, my "ace cat wrangler" came in. Her job was to get them on the table, keep them on the table and try to get them to face in the general direction of the camera...and she did an amazing job!!

Here are few unedited, and uncooperative, outtakes. Lori managed to get their attention long enough for me to bang off about 10 to 15 shots each, and I was lucky to get a few keepers.

So there you have it, Project Feline Part 2 "The Shoot & The Gear."

Stay tuned for Part 3 "The Post," where I'll walk through how I post processed the final shots.

Cheers!

DC

Project Feline - (Part 1 - "The Shot! or Shots!")

Here we go with another installment of "The Shot", "The Shoot & The Gear," and "The Post."

The background goes something like this...my mother-in-law wanted some photos of our babies (i.e., our fur babies).  My wife went out and found a frame with 3 4x6 slots in a portrait format, which was perfect as we have 3 cats. So now I had 2 options, 1) scour my Lightroom catalog for existing photos, or 2) shoot new photos.

I did take a look through Lightroom, but I didn't see anything in a portrait format that had any consistency between the three; all of the backgrounds were different and I shot a lot of them in landscape orientation. So it was option 2...shoot new photos!

Stay tuned for Part 2 - "The Shoot & The Gear," where I'll review the lighting set-up among others things.

Cheers!

DC